Articles and Book Chapters on Chinese Poetry and Prose
In English
“Introduction: The Literary and Cultural Significance of Chinese Prose.” In How to Read Chinese Prose: A Guided Anthology, ed. Zong-qi Cai. New York: Columbia University Press, pp. 1-8. pdf
“An Anatomy of Chinese Prose Forms: An Overview.” In How to Read Chinese Prose: A Guided Anthology, ed. Zong-qi Cai. New York: Columbia University Press, pp. 11-42. pdf
“The Art of Parallel Prose.” In How to Read Chinese Prose: A Guided Anthology, ed. Zong-qi Cai. New York: Columbia University Press, pp. 210-226. pdf
“The Art of Chinese Prose: A Critical Introduction.” Journal of Chinese Literature and Culture 7.2 (2020), pp. 339-381. pdf
“Introduction: The Cultural Role of Chinese Poetry.” How to Read Chinese Poetry in Context: Poetic Culture from Antiquity through the Tang. Columbia University Press, 2018, pp. 1-10. pdf
“Poetry and Ideology.” How to Read Chinese Poetry in Context: Poetic Culture from Antiquity through the Tang. Columbia University Press, 2018, pp. 65-77. pdf
“Sound over Ideograph: The Basis of Chinese Poetic Art,” in Journal of Chinese Literature and Culture 2:2 (November 2015): 545-572. Project MUSE pdf Baidu
“Introduction: The Primacy of Sound in Chinese Poetry,” in Journal of Chinese Literature and Culture 2:2 (November 2015): 251-257. Project MUSE pdf Baidu
“Introduction: Prominent Features of Chinese Poetry,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai(Columbia University Press, 2008), pp. 1-9. Google Book
“Pentasyllabic Shi Poetry: “Nineteen Old Poems,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai(Columbia University Press, 2008), pp. 103-117. pdf Baidu
“Recent-Style Shi Poetry: Pentasyllabic Regulated Verse,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai(Columbia University Press, 2008), pp. 161-180. pdf Baidu
“A Synthesis: Syntax and Poetic Vision in Chinese Poetry,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai(Columbia University Press, 2008), pp. 379-399. pdf Baidu
“The Multiple Vistas of Ming and Changing Visions of Life in the Works of Tao Qian,” in The Magnitude of Ming: Command, Allotment, and Fate in Chinese Culture, edited by Christopher Lupke. University of Hawaii Press, 2005, pp. 169-202. pdf Baidu
“Dramatic and Narrative Modes of Presentation in Han Yüeh-fu," Monumenta Serica 44 (1996): 101-40. Jstor pdf Baidu
"Symbolic Mode of Presentation in the Poetry of Juan Chi," Chinese Literature: Essays, Articles and Reviews 15 (1993): 37-56. Jstor pdf Baidu
"From Syntactic to Structural Pi-hsing: An Important link between the Book of and 'Nineteen Old Poems'," Selected Papers in Asian Studies new series, no. 31 (1989): 1-30. pdf Baidu
In Chinese
“古代散文形式体系的建构:五种基本文形的分析” (Constructing the System of Chinese Prose Forms—An Analysis of Five Basic Prose Forms.”《北京大學學報》(The Journal of Peking University)58.6 (2021), pp. 98-109. pdf
“唐代五言律詩句法與詩境” (The Syntax and Poetic Vision of the Tang Pentasyllabic Regulated Verse),《學術月刊》(Academic Monthly), 51 (2019.1), pp. 115-134. 全文轉載於《中國人民大學報刊複印資料· 中國古代、近代文學研究》,2019年第8期,頁80-98. pdf
“六朝五言詩句法、結構、詩境新論--“圓美流轉”境界的追求”(New Reflections on the Syntax, Structures, and Vision of the Six Dynasties Pentasyllabic Poetry: The Pursuit of the Ideal of “Complete and Beautiful, and Flowing and Turning.”《上海師範大學學報》(The Journal of Shanghai Normal University), 2018.4, pp. 108-123. pdf
“領字與慢詞節奏、句法、結構的創新” (The “Lead Words” (Lingzi) and the Prosodic, Syntactic, and Structural Innovations in the Manci Poetry), 《北京大學學報》(The Journal of Peking University)54.4 (2017), pp. 77-90. pdf 《北京大學學報》(The Journal of Peking University)54.4 (2017), pp. 77-90. 論點摘要轉載於《新華文摘》2017年第22期;全文轉載《文學遺產》網絡版,2017年12月。
“七言律诗節奏、句法、結構新論” (New Reflections on the Rhythmns, Syntax, and Structures of Heptasyllabic Regulated Verse),《學術月刊》(Academic Weekly), 49 (2017.2), pp. 135-153. 簡約版轉載於《高等學校文科學術文摘》(2017.2), pp. 91-94.
“小令語言藝術研究:結構與詞境” (The Art of the Language of the Xiaoling Poetry: Structure and Poetic Vision)《文學評論》(Literary Commentary), 2017.2, pp. 189-201. pdf
“小令語言藝術研究:句法之‘破’與‘立’” (On the Art of Short Lyric Songs: Syntactic Innovations), 《中國詩學》(Chinese Poetics),vol. 20, ed. Zhang Bowei. Beijing: Renmin wenxue chubanshe, 2016, pp. 109-123. pdf Baidu
“單音漢字與漢詩詩體之內聯性” (The Internal Connection between Monosyllabic Chinese Characters and Chinese Poetic Forms),《嶺南學報》(Lingnan Journal of Chinese Studies),vol. 5. Shanghai: Shanghai guji chubanshe, 2016, pp. 277-326. pdf Baidu
“小令詞牌和節奏研究--從與近體詩關係的角度展開” (A Study on the Tune Titles and Poetic Rhythms of the Short Song Lyrics), 文史哲 (A Journal of Literature, History, Philosophy), no. 348 (2015.3), pp. 49-87. CNKI pdf Baidu
“早期五言詩新探——節奏、句式、結構、詩境” (A New Exploration of Early Pentasyllabic Poetry: Rhythms, Syntax, Structures, and Visions), 《中國文哲研究集刊》 (Bulletin of the Institute of Chinese Literature and Philosophy) Vol. 44 (2014.3): 1-56. Link pdf Baidu
“介绍一种解释近体诗格律的新方法” (“Introducing a New Method of Explaining Recent-style Poetic Tonal Prosody”),《中國文學研究》(Study on Chinese Literature), vol. 23, ed. Huang Lin. Shanghai: Fudan daxue chubanshe, 2014, pp. 8-18. CNKI pdf Baidu
“漢樂府的戲劇模式與敘事模式——民間與文人樂府之辨” (Dramatic and Narrative Modes of Presentation in Han Yüeh-fu), trans. Chen Jing, 《國際漢學研究趨勢:鄭清茂教授八秩華誕祝壽論文集》, vol. 1, ed. Department of Sinophone Literatures at National Dong Hwa University. Taipei: Huayi xueshu chubanshe, 2013, pp. 17-74. pdf Baidu
“經驗自我與詩性自我: 曹植詩新論” (Experiential Self and Poetic Self: New Perspectives on the Poetry of Cao Zhi), trans. Chen Jing, 《中國詩歌傳統及文本研究論文集》(Essays on Chinese Poetic Traditions and Textual Scholarship), ed. Chen Zhi. Beijing: Zhonghua Shuju, 2013, pp. 226-273. pdf Baidu
“古典詩歌的現代詮釋—節奏.句式.詩境(第一部分﹕理論研究和《詩經》研究部分)” (Modern Interpretation of Classical Chinese Poetry: Rhythm, Syntax, and Vision [Part One: Theoretical Discussion and a Study of the Book of Poetry]), 《中央研究院文哲所通訊》 (Bulletin of the Institute of Literature and Philosophy, Academia Sinica) 20.1 (2010): 1-45. pdf Baidu
“節奏、句式、詩境——古典詩歌傳統的新解讀” (Rhythm, Syntax, and Vision: A New Perspective on the Classical Chinese Poetry), trans. Li Guanglan, 《中山大學學報》(Journal of Zhongshan University), 49.2 (2009): 26-38. CNKI pdf Baidu
“陶潛作品中“命”的視角與隨之而變化的人生畫面” (The Issues of Ming [fate, destiny, lifespan] in the Works of Tao Qian), trans. Jin Tao, 《中國中世文學研究論集》(Critical Essays on the Literature of Medieval China), ed. Zhang Peiyan, 2 vols. Shanghai: Shanghai guji chubanshe, 2006, vol. 2, pp. 936-972. pdf Baidu
“阮籍的象徵表現手法與詠懷體的藝術特徵” (The Art of Symbolizing in Ruan Ji’s Yonghuai Poetry”), trans. Zheng Xueqin, 《文選與文選學》 (Essays on the Wenxuan), ed. Wenxuan xuehui. Zhengzhou, Zhongzhou chubanshe, 2002, pp. 398-423. pdf Baidu
"《詩經》與《古詩十九首》:從比興的演變來看它們的內在聯繫” (The Book of Poetry and “Nineteen Old Poems": A Connection Seen Through the Evolving Bixing Modes) . 《中外文學》 (Chung-Wai Literary Monthly ) 17. 11 (April 1989): 116-141. pdf Baidu
Articles and Book Chapters on Chinese Literary Criticism
In English
“Early Chinese Concepts of Qing 情 and a Dialogue with Western Emotion Studies. Prism: Theory and Modern Chinese Literature. 17.2 (2020): 399-429. pdf
“The Making of a Chinese Critical System: Liu Xie’s Wenxin diaolong.” In A Companion to World Literature, edited by Ken Seigneurie. Vol. 3, edited by Christopher Lupke. Hoboken, NJ: John Wiley & Sons (2019; coauthored with Xiaohui Zhang), pp. 1-11. pdf
“Toward an Innovative Poetics: Wang Changling on Yi 意and Literary Creation.” Journal of Chinese Literature and Culture 4.1 (2016):180-207. Project MUSE pdf
“The Richness of Ambiguity: A Mencian Statement and Interpretive Theory and Practice in Premodern China,”in Journal of Chinese Literature and Culture 1:1-2 (November 2014): 262–288. Project MUSE pdf Baidu
“The Early Philosophical Discourse on Language and Reality and Lu Ji’s and Liu Xie’s Theories of Literary Creation,”in Frontiers of Literary Studies in China 2011, 5(4): 477–510. pdf Baidu
“Yi-Xiang-Yan Paradigm and Early Chinese Theories of Literature,” in The Rhetoric of Hiddenness, ed. Paula Vasano. Albany, New York: SUNY Press, 2016), pp. 333-357.
"Evolving Practices of Guan and Liu Xie's Theory of Literary Interpretation," in Interpretation, Literature and the World of Thought in early Medieval China, ed. Chan Kam-Leung and Yuet-cheung Lo (Albany, New York: SUNY Press, 2010), pp. 103-132. pdf Baidu
“Elevation of Belles Lettres,” Hawaii Reader in Traditional Chinese Culture, eds. Victor H. Mair, Paul R. Goldin, and Nancy S. Steinhardt (Honolulu: Univ. of Hawaii Press, 2005), pp. 282-287. pdf Baidu
"Introduction: A Historical Overview of the Six Dynasties Aesthetics,” in Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties, ed. Zong-qi Cai (University of Hawaii Press, 2004), pp. 1-28. Google Book Baidu
“The Conceptual Origins and Aesthetic Significance of “Shen” in Six Dynasties Texts on Literature and Painting,” in Chinese Aesthetics: The Orderings of Literature and Arts, and the Universe in the Six Dynasties, ed. Zong-qi Cai (University of Hawaii Press, 2004), pp. 310-432. pdf Baidu
“The Polysemous Term of Shen in Wenxin diaolong,” in Understanding Chinese Poetics: Re-carving the Dragon,” ed. Olga Lomova (Prague: Charles University Press, 2002) pp. 85-116. pdf Baidu
“Introduction: Exploring Three Dimensions of Wenxin diaolong” in A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin diaolong, ed. Zong-qi Cai (Stanford: Stanford Univ. Press, 2001), pp. 1-14. Google Book
“The Making of a Critical System: Concepts of Literature in Wenxin diaolong and Earlier Texts,” in A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin diaolong, ed. Zong-qi Cai (Stanford: Stanford Univ. Press, 2001), pp. 33-59.
“Wen and the Construction of a Critical System in Wenxin Diaolong,” Chinese Literature: Essays, Articles, and Reviews 22 (2000): pp. 1-29. Jstor pdf Baidu
"The Rethinking of Emotion: The Transformation of Traditional Chinese Literary Criticism in the Late Qing Era," Monumenta Serica 45 (1997): 63-110. Jstor pdf Baidu
In Chinese
“「目擊高情」與宗炳《畫山水序》佛教文藝觀” (The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing’s “A Preface to the Painting of Landscape”) 《文學遺產》(The Literary Heritage), 2023.3 :14-18. pdf
“明清詩學之中以意為主的創作論”(The Ming-Qing Theories of Literary Creation Focused on the Yi (Creative Conception)《學術月刊》(Academic Weekly), (2023.3): 151-161. pdf
“元明清詩學中以參悟為主的創作論”(Four Meditation-Awakening Approaches to Literary Creation Advocated by Yuan Ming, and Qing Critics) 《學術研究》2022 年 第10 期,頁167-172. pdf
“情”的概念何以拓展 ——从先秦“情”“性”论辩到两汉六朝文论中的情文说 (Evolving Concepts of Qing:Pre-Qin Philosophical Texts and Six Dynasties Literary Criticism) 特稿.《探索與爭鳴》 (Exploration and Free Views). 364 (2020.2), pp.39-48. 論點摘要載於《新華文摘》2020年第15期,頁163. pdf
“唯識三類境與王昌齡詩學三境說”(The Consciousness-Only Buddhism’s Three Types of Jing [Represented Realities] in Consciousness-Only Buddhism and the Three Types of Jing in Wang Changling’s Writings on Poetry), 《文學遺產》(The Literary Heritage), 2018.1, pp. 49-59. pdf
“王昌龄以’意’为中心的创作论及其唯识学渊源” (Wang Changling’s Yi-Centered Theory of Literary Creation and the Consciousness-Only Buddhism),《復旦大學學報》(The Journal of Fudan University), 2017.4, pp. 87-97. pdf
"詩歌與意識形態:《詩經》在漢代的經典化" (Poery and Ideology: The Canonization of the Book of Poetry in the Han Dynasty), trans. Chen Haixia and Cao Jianguo. 長江學術 (Yangtze Scholarly Journal), no.46 (2015.2), pp. 9-15. CNKI pdf Baidu
"以意逆志"說與中國古代解釋論” (The Richness of Ambiguity: A Mencian Statement and Interpretive Theory and Practice in Premodern China), trans. Chen Jing, 《嶺南學報》(Lingnan Journal of Chinese Studies),vol. 1-2. Shanghai: Shanghai guji chubanshe, 2015, pp. 145-167. CNKI pdf Baidu
“先秦漢晉言實之論與陸機劉勰的文學創作論” (“The Early Philosophical Discourse on Language and Reality and Lu Ji’s and Liu Xie’s Theories of Literary Creation”), trans. Chen Jing, 《中國文學研究》(Study on Chinese Literature), vol. 19, ed. Huang Lin. Shanghai: Fudan daxue chubanshe, 2012, pp. 10-28. CNKI pdf Baidu
“郝敬『溫柔敦厚』說:一個被遺忘的文學批評理論體系” (Hao Jing’s Theory of “Soft, Gentle, Sincere, and Steadfast” : A Forgotten System of Literary Criticism), 《中國詩學》(Chinese Poetics),vol. 14, ed. Zhang Bowei. Beijing: Renmin wenxue chubanshe, 2010, pp. 150-177. Reprinted in 《明清文學與思想中之情、理、欲──文學篇》 (Emotions, Rational Principle, and Desires in Ming-Qing Literature and Thought) ed. Wang Ayling. Taipei: Institute of Philosophy and Literature, Academia Sinica, 2009. pdf Baidu
“《文心雕龍》中“文”的多重含義及劉勰文學理論體系的建立” (Wen and the Critical System in Wenxin diaolong ), trans. Jin Tao, 《人文中國學報》(Sino-Humanitas) 14 (2008): 139-172. pdf Baidu
“從“斷章取義”到“以意逆志”——孟子復原式解釋理論的產生與演變” (Mencius’ Theory of Reconstructive Interpretation), trans. Jin Tao, 《中山大學學報》(Journal of Zhongshan University), 47.6 (2007): 44-50. CNKI pdf Baidu
“中國古代闡釋學的個例研究:闡釋“興、觀、群、怨”的三種模式” (A Case Study of Chinese Hermeneutics: Three Interpretive Approaches in the Study of Confucius’ Four Terms about the Book of Poetry), 《九州學林》 (Scholarly Forum on China) 2.3 (2004): 26-41. pdf Baidu
“中國文學批評體系的建立:《文心雕龍》與早期文獻中的文學觀” (The Rise of the System of Chinese Literary Criticism: Wenxin diaolong and Concepts of Literature in Early Texts), trans. Li Ruilin and Qiao Ji, 《詩學新探》(New Studies on Poetics), ed. Zhou Faxiang et all. Tianjin: Baihua wenyi chubanshe, 2004, pp. 289-312. pdf Baidu
“六朝文藝理論中的“神”的哲學淵源和美學新義” (The Concept of Shen in Six Dynasties Aesthetic Thought). 《中國文學研究》(Research on Chinese Literature), edited by Department of Chinese, Fudan University, vol. 4 (2001), pp. 18-61. CNKI pdf Baidu
"《文心雕龍》與儒、道、佛家的中道思維” (The Confucian, Taoist, and Buddhist Zhongdao (Middle Ways) in Wenxin diaolong), collected in 《論劉勰及其〈文心雕龍〉》(Liu Xie and His Literary Mind and Carving of Dragons). Beijing: Xueyuan chubanshe, 2000, pp. 94-114. pdf Baidu
“意象、意境說與劉勰的創作論” (Theories of Yixiang [Idea-Image], Yijing [Idea-scape] and Liu Xie’s Theory of Literary Creation), in《〈文心雕龍〉國際學術研討會論文集》(Collected Essays from an International Symposium on Wenxin diaolong),ed. Chinese Department, Taiwan National Normal University. 2 vols. Taipei: Wenshizhe chubanshe, 1999, vol. 2, pp. 413-426. pdf Baidu
“《文心雕龍》與傳統文學觀框架和傳統文化的關係” (The Literary Mind and the Carving of Dragons and the Traditional Concepts of Literature), collected in 《文心雕龍研究》(Research on the Literary Mind and the Carving of Dragons), Beijing: Beijing Univ. Press, 1996, pp. 326-345. pdf Baidu
Articles on Comparative Poetics
Articles in English
“The Chinese Written Character and the Reinvention of Western and Chinese Poetry: Ernest Fenollosa and Ezra Pound.” Co-authored with Xiaohui Zhang. In The Western Reinvention of Chinese Literature, 1910–2010: From Ezra Pound to Maxine Hong Kingston, 35-61. Edited by Zong-qi Cai and Stephen Roddy. Brill, 2022. pdf
“Ideographic Myth and Misconceptions about Chinese Poetic Art.” In Tensions in World Literature : Between the Local and the Universal. Ed. Weigui Fang, pp. 253-264. NewYork: Palgrave Macmillan, 2018.
“The Influence of Nietzsche in Wang Guowei’s Writings on Literature and Aesthetics,” Philosophy East and West 54(April, 2004), pp. 171-193. Jstor pdf Baidu
“Derridean and Madhyamika Buddhist Theories of Deconstruction,” in Buddhism and Deconstruction, edited Jin Y. Park. Rowen & Littlefield, 2005, pp. 47-62. A reprint of the article published in International Philosophical Quarterly 33.2 (1993): 183-95.
“In Quest of Harmony: Plato and Confucius on Poetry,” Philosophy East & West 49 (1999): 317-45. Jstor pdf Baidu
“Derrida and Seng-zhao: Linguistic and Philosophical Deconstructions," Philosophy East & West 43.3 (1993): 389-404.
Jstor pdf Baidu
"Poundian and Chinese Aesthetics of Dynamic Force: A Re-discovery of Fenollosa and Pound's Theory of Chinese Written Character," Comparative Literature Studies 30. 2 (1993): 56-74. Jstor pdf Baidu
"Derrida and the Madhyamika Buddhism: From Linguistic Deconstruction to Criticism of Onto-theologies," International Philosophical Quarterly 33.2 (1993): 183-95. pdf Baidu
“Synthetic Parallelism: A Cross-Cultural and Cross-Disciplinary Study," Tamkang Review: a Quarterly of Comparative Studies between Chinese and Foreign Literature 20.2 (1989): 151-168. pdf Baidu
"Fusion of Feeling and Nature in Wordsworthian and Classical Chinese Lyrics," Analecta Husserliana: Yearbook of Phenomenology Research vol. XXVIII (The Netherlands: Kluwer, 1989), pp. 431-56. pdf Baidu
Articles in Chinese
“内文化、跨文化和超文化语境中的诗学研究方法” (Research Methods for the Studies of Chinese Poetry and Poetics Developed in Intracultural, Cross-cultural, and Transcultural Contexts), by Zong-qi Cai. 北京大学学报 (哲学社会科学版) (Journal of Peking University [Philosophy and Social Sciences]), 2019.6, pp. 147-157. 全文轉載於 人大复印资料《中国古代、近代文学研究》2020年05期 pdf
“尼采對王國維《紅樓夢評論》之影響” (The Influence of Nietzsche in Wang Guowei’s Writings on Literature and Aesthetics), trans. Zhang Xiaohui,《中國美學研究》(Study of Chinese Aesthetics) Vol.3, no.1 (2014) , pp. 286-307. CNKI pdf Baidu
“西方诗学体系——从真理的角度论文学的产物” (The Systmatics of Western Poetics: Conceptualizing Literature from the Perspective of Truth), trans. Liu Qinghai 《海外中國學》(China Studies Overseas), a new journal published by Shanghai Academy of Social Sciences, inaugural issue, 1(2010): 239-264. pdf Baidu
“中国诗学体系——从和谐过程的角度论文学” (The Systmatics of Chinese Poetics: Conceptualizing Literature as a Harmonizing Process), trans. Liu Qinghai 《海外中國學》(Overseas China Studies), a new journal published by Shanghai Academy of Social Sciences, second issue, forthcoming in 2011.
“中西比較文化中的內文化、跨文化與超(個體)文化視角” (Intracultural, Cross-cultural, and Trans-cultural Perspectives in China-West Cultural Comparisons),trans. Zhou Ying,《文藝理論研究》(Theoretical Studies in Literature and Art), 165(2009.4), pp. 17-26. Reprinted in《全球化與文學》(Chinese Literature and Cultural Horizons), ed. Yang Yi et al. Beijing: Chinese Academy of Social Sciences Press, 2009, pp. 17-35. CNKI pdf Baidu
“‘勢的美學’:費諾洛薩和龐德中國文字理論之再評價” (Aesthetics of Shi: A Re-evaluation of Fenollosa and Pound’s Theory of Chinese Written Characters), trans. Zheng Xueqin, 《東華漢學》(Dong Hwa Journal of Chinese Studies), inaugural issue (2003), pp. 83-103. pdf Baidu
“柏拉圖和孔子詩論中的和諧說” (The Theory of Harmony in Plato’s and Confucius’ Writings on Poetry), trans. Zheng Xueqin,《哲學與文化月刊(Universitas: Monthly Review of Philosophy and Culture)28.10 (2001): 925-948. pdf Baidu
“德里達和僧肇:語言學和哲學的解構主義” (Derrida and Seng Zhao: Linguistic and Philosophical Deconstruction) , trans. Zheng Xueqin,《中國學術》 (China Scholarship)1, no. 2 (2000), pp. 186-201. Reprinted in《哲學與文化月刊》(Universitas: Monthly Review of Philosophy and Culture)28.3 (2001): 238-249. pdf Baidu
“華茲華斯和劉勰的文學創造詩學”(Liu Xie's and Wordsworth's Theories of Literary Creation), trans. Zheng Xueqin, collected in《文心雕龍研究》(Research on the Literary Mind and the Carving of Dragons), vol. 3, Beijing: Beijing University Press, 1997, pp. 205-29. pdf Baidu
Articles on Western Literature
"The Structure of Whitman's 'Song of Myself' and Hegel's Phenomenological Dialectic," in Bloom’s Modern Critical Interpretations: Walt Whitman’s Song of Myself, ed. Harold Bloom (Philadelphia: Chelsea House, 2003), pp. 73-86. A re-print of the article published in Clio: Interdisciplinary Journal of Literature, History, and Philosophy of History 16 (1987): 317-29. pdf Baidu
"Fragments I-II and III-V in The Canterbury Tales: A Re-examination of the Idea of the `Marriage Group'," Comitatus: A Journal of Medieval and Renaissance Studies 19 (1988): 80-98. pdf Baidu
"The Structure of Whitman's 'Song of Myself' and Hegel's Phenomenological Dialectic," Clio: An Interdisciplinary Journal of Literature, History, and Philosophy of History 16 (1987): 317-29.
"Structural Antitheses in Goldsmith's The Deserted Village," Papers on Language & Literature 22 (1986): 326-30. pdf Baidu
"Fragments I-II and III-V in The Canterbury Tales: A Re-examination of the Idea of the `Marriage Group'," Comitatus: A Journal of Medieval and Renaissance Studies 19 (1988): 80-98. pdf Baidu
"The Structure of Whitman's 'Song of Myself' and Hegel's Phenomenological Dialectic," Clio: An Interdisciplinary Journal of Literature, History, and Philosophy of History 16 (1987): 317-29.
"Structural Antitheses in Goldsmith's The Deserted Village," Papers on Language & Literature 22 (1986): 326-30. pdf Baidu